Title of the film: Tenant Date of Release: April 19, 2024, IMDB Rating:5.9 Starring: Bharath Kanth, Esther, Aadukalam Naren, Chandu, Megha Chowdhury, Chandana Payyavula, Satyam Rajesh In charge: Yungandhar Mogulla Chandrashekhar Reddy is the producer. Director of Music: Sahitya Sagar Jemin Jom Ayyaneth, cinematographer; Vijay Mukthavarapu, editor
Tenant is the heartfelt thriller by Satyam Rajesh, who made a successful film career with Polimera 2. The film was directed by Y Yungandhar and debuted in theaters today. Watch how things stand.
Story
A happy couple, Goutham (Satyam Rajesh) and Sandhya (Megha Chowdhury) have a dramatic shift in circumstances. The couple’s relationship is failing, and one day Sandhya passes away inexplicably. When it comes to his wife’s death, Goutham is the main suspect. Rishi, Goutham’s neighbor, tries suicide at the same moment (Bharath Kanth). Why isn’t the couple content? Is there a link between Rishi’s attempted suicide and Sandhya’s passing? Was Sandhya slain by Goutham? This is the main idea behind Tenant.
Positive Points in Tenant Movie:
Notwithstanding the film’s noble intentions, it is commendable that the creators attempted to wrap up the narrative in 1:30 hours. The team limited the running time rather than going above two hours. This particular story doesn’t need to be too long, and the creators did a good job of understanding the task. Filmmakers need to be aware of this. The twists that occur in the final 20 minutes are unsettling and offer a shock value.
The penultimate scenes will bring us to tears, and the director has conveyed a powerful societal message. Satyam Rajesh has been starring in a variety of roles lately, and he performed a respectable job in Tenant. He had to maintain subtlety for his character, and the actor does just that.
Both Chandana Payavvula and Bharath Kanth are excellent in their respective parts. They make the most of their substantial screen time in the movie. As an investigator, Esther is competent. Among other things, anchor Chandu performs admirably.
Minus Points in Tenant Movie:
The tenant’s main flaw is that it doesn’t generate the necessary tension for the proceedings. Although the treatment differs slightly from the standard movies, the impact is lacking. Though hailed as an intense thriller, Tenant falls short of the essential thrills. The movie just briefly captures our interest, and the story isn’t compelling.
Most of the movie moves slowly, and this was a conscious choice. Not everyone will find comfort in the narrative’s plodding pace. We are aware that Satyam Rajesh and Megha Chowdhury are both bothered by something. Without using any language, the director attempted to convey the tension between these characters solely via images.
The film starts off the second half in an unremarkable manner but picks up steam as it approaches the big finale. Therefore, even though the subject is socially meaningful, the overall experience is unimpressive.
Technical Aspects Movie:
Parts of Sahitya Sagar’s work are excellent. While the songs are well done, the accompanying score falls short in this regard. The cinematography by Jemin Jom Ayyaneth is excellent for the tone of the movie. The production values are good, but the editing could have been better.
Tenant’s screenplay was also written by director Yungandhar. The narration is unique, but it doesn’t say much. The main pair’s emotional trauma is the focus of the first half’s whole duration, yet these parts are dull.
Movie Verdict:
The tenant addresses a pertinent societal topic overall, but the presentation falls short of fully elaborating on the selected point. The final few minutes are captivating, and Satyam Rajesh, Megha Chowdhury, Chandana, and others give good performances. Although the movie takes a unique approach, the action doesn’t have enough tension to make for an enjoyable viewing. The impact would have been far greater if the screenplay had been written with more care.
