Cast: Sunita Rajwar, Harsh Mayar, Vaibhav Raj Gupta, Geetanjali Kulkarni, and Jameel Khan Shreyansh Pandey is the author. Pandey, Shreyansh (director) Accessible via: Sony Liv Languages: English subtitles for Hindi, Tamil, Telugu, Kannada, Malayalam, Bangla, and Marathi Runtime: Five thirty-minute episodes
What Is It Concerning
Gullak 4 “Middle class ki immunity bahut badh gayi hai, jise thoda thoda lene se zeher hai dar aur tanaav.” Gullak’s fourth season debuts with yet another set of middle-class hardships. For the past three seasons, the TVF drama that most closely resembles the real life of a typical working-class family has been fueled by nostalgia.
But in the fourth season, when the Mishra Family is maturing and moving past nostalgia into real-world issues, it takes a significant turn. However, the five episodes are so dispersed that they don’t follow a chronological order.
Gullak 4‘s trailer made it quite evident that the story will contrast parenting and adulting. However, the essence only appears in the last episode, where important discussions take place in the final 20 minutes of the program. The Mishra family’s charming performances, which peek through the plot’s gaps, save the remaining episodes.
Examining the Screenplay
After directing, writing, and developing the previous three seasons of Gullak, Shreyansh Pandey now serves as the show’s creator. This time, Gullak 4 does not delve deeply or strike the same chords as in the previous seasons throughout the five episodes. And so it comes with the shoddy season, in which the feelings aren’t supported by well-written prose. Winning Mrs. Mishra’s cat party felt like a personal coup earlier. Or viewers were drawn to Annu Mishra’s career struggles and decided to support the Mishra family.
Gullak does not, however, make you delighted to cry this time. With the five episodes strewn across ordinary, everyday things that aren’t interesting enough, it just dies.
Since you keep losing interest in the tale, Gullak only makes an appearance in the final 20 minutes and does so in a lackluster manner that leaves you disappointed and sighing.
Star-Studded Performance
The actors who portray Santosh Mishra, Shanti Mishra, Annu Mishra, and Aman Mishra—Jameel Khan, Geetanjali Kulkarni, Vaibhav Raj Gupta, and Harsh Mayar—now know their roles extremely well and fit the part flawlessly. Indeed, their charming performance is what rescues the weakest Gullak season.
However, Bittu Ki Mummy, played by Sunita Rajvar, steals the show and breaks the monotony of the series since the first episode, appearing at the climax for five minutes.
What Functions
Naturally, everyone is interested in the Mishra family‘s narrative, and it makes sense for the show. There are times when you eagerly anticipate the sensation of where something might go. Everything from purchasing curtains for an ancient wall to selling the ancient kabaad. After a chain-snatching incident, the family’s mother feels finished, and when the child makes a mistake, the parents start to doubt their parenting. Gullak’s components are ready.
What Is Ineffective
The most captivating aspect of Gullak was its narrator, a piggy bank named Gullak who would recount all of the Mishra Family’s events via exquisitely crafted dialogues that embodied the spirit of the program. The Gullak was half empty, most likely as a result of the coins’ clatter becoming music when they were converted into lovely monologues that brought the stories to a close. Except for a few, none of Gullak’s lines in season 4 will make you smile, therefore that spirit vanished.
The narration of Gullak in the opening and closing scenes has been the protagonist of Gullak in previous seasons, however, this season’s narration is incredibly weak.
In addition to having poor writing, Gullak has an excessive amount of mundanity, which gives it a disorganized appearance. The final episode introduces the story of adulthood, which ought to have served as the central idea throughout the first five.
Last Word
Gullak Season 4 presents you with a conundrum. That is the show that has captivated and delighted me. With the Mishra Family, I have laughed and wept alongside them, supporting their adversities and feeling kinship with their accomplishments. However, I feel as though the family has now distanced itself from me, and even with my best efforts, I am not experiencing the same emotions they did. The problem is that even while I want to love and admire them, there’s a lack of warmth and flaws when I view them from this distance.
